DYNAMICS OF THE «STREAM OF CONSCIOUSNESS» IN ART-HOUSE FILM-CHARACTERS

The article focuses on the following: psychodynamics of film characters’ inner life; psychologism as an artistic method; the reality of human consciousness is exposed to illustrate the psychological state of a character; psychologema of the «stream of consciousness» as an artistic and visual manifestation in the art of cinema; the way the «stream of consciousness» enables film directors to show the reality most authentically; the way various film scenes are illustrative of how symbols «exposed» by the unconscious itself in recollections, highlight the transition of the unconscious into consciousness and vice versa, i.e. how the unconscious is materialized on the screen; how, in psychoanalytic films, new editing techniques, and means of expression and artistic tools, discovered by modernistic film directors, facilitate communication of psychologism, become constructive and meaning-making by nature; how the «stream of consciousness» manifests itself in the main characters of indie films utilizing modernism and postmodernism aesthetics and representting different national cinema schools.

психологизм, бессознательное, «поток сознания», художественно-образное воплощение, структура картины, образ часов, метафорический образ, субъективное восприятие, экспрессивный монтаж, psychologism, the unconscious, stream of consciousness, artistic and imagery realization, film structure, image of the clock, metaphorical image, subjective perception, expressive editing

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